12/18/2012

Chris Anderson: Poetry as Spiritual Practice


Poet Chris Anderson read from his book “The Next Thing Always Belongs” at a Reading At the Nick series in the Linfield College Nicholson Library. Anderson is a member of the cooperative press Airlie Press

It seems poetry is almost exclusively read on a page (paper or electronic) in the privacy of our own minds.  The poem comes to us in the sound of our voice and to our personal cadences and rhythms. The experience of poetry has not been and is not now a solitary internal affair of reading.  Throughout history poetry has been a literary performance art.  Seeing and hearing a poet present their work gives an appreciation and an understanding of the person and their poetry which a page cannot approach.



Chris Anderson demonstrates there can be a fusion of prose and poetry.  He took a break from reading from his book to say he has been thinking about what poetry means.  He moves from that question to saying that for him poetry is a kind of spiritual practice.  He then begins spiral up catching rhetorical thermals by Anthony DeMello and keeps going up with lifts from Pierre Teilhard de Chardin, until he is at the apex.  Still.  Ready.  Then he folds his wings, an Osprey plunging towards a glimmer just under the surface.  He concludes “the moment is precious because it is so fragile, so small, so fleeting.”  

Anderson shows all of the poet’s art.  The value of filming is that you can experience for yourself Chris Anderson taking you from wondering about the value of poetry to the fragility of the moment.  He follows his homily, as he called it, with a new poem "Crazy Cake".    


11/05/2012

Signs and Symbols: Flat weaving of nomadic Turkish herders


At the edge of Willamette University campus the Hallie Ford Museum has a show of Turkish flat weaves.  The exhibition includes examples of 19th and 20th century rugs, saddle bags, storage bags, dowry pieces made by the nomadic herders of Turkey.  For centuries the nomadic herders lived in black goat-hair tents and traveled with their sheep and goats from winter to summer pastures.  The bold geometric symbols reflect the hops, fears, dreams and aspirations of the nomadic people, ranging from a happy marriage, having many children and getting protection from the evil eye.

Going through the exhibit you can feel the sense of time and the quiet of the weavers as they expressed their hopes into patterns and colors.  The culture of the nomads seemed to express in things, in cloth and weaving.  Symbols, motifs, color and color combination for a non-verbal communication.  Talismans: giving families protection from evil, ensuring good luck and security.  They might define land, or be used in courtship, in birth and various rites of passage including death.

There is movement in the patterns and the colors and beauty in simple things.  The nomads carried their homes with them.  They learned to cherish a few well made things that spoke to them of their life.  I wonder what I carry with me to protect me and my family from the evil eye.

11/03/2012

Yamhill Valley Vineyard's Mural video

This spring our friend John Stromme asked if we would like to do a video of the mural he and Eddie Johnson were painting at the Yamhill Valley Vineyard's tasting room.  A beautiful drive to a beautiful vineyard and winery.  We grabbed the camera the tripod and microphones.  We were there before lunch.

We filmed and interviewed John and Eddie.  We came back about a month later and filmed Denis Burger, Yamhill Valley Vineyard's owner.  Then the summer happened and some technical struggles with color.

Towards late summer, John and Eddie and another idea.  When the mural was finished they wanted to bring the wall to life.  Ariel Eberle, the assistant wine maker at the Yamhill Valley agreed to be painted into the mural.  We filmed her being painted and her emerging from the mural.

Back to the editing bay.  We did the best we could and finally the video of the mural was ready.

Over two hours of film for a 5 minute story.  I guess by industry standards that is pretty efficient.  Every story we work on, I get to learn something new.  Something new from those we are filming and something new technically about the production and editing process.

It makes for a challenging avocation.

11/01/2012

Play is its own reward: Art Harvest Tour mass Production

The Art Harvest Studio Tour was the first two weekends, including Fridays in October.  The week between we had student tours come to the studios.  From the first Friday our attendance was down from previous years.  I had time in the studio.  What to do?  Make masks.

Mantel Masks
When folks did come in, since I was working anyway it was easy to give them a quick demonstration and make another mask.  One of the first sales on the first Friday was one of the two remaining Mantel Masks.  I was down to one mantel.  I decided to make mantel masks during the Tour and as demos for the students.
Bisque, thinking about glaze
It kind of got away from me.
This year I was on a mission to do clearance.  I priced to clear.  It worked.  I got rid of a lot of work.

I sabotaged my clearance agenda.  One of the students asked what was my favorite thing in working with clay.  My answer.  When the clay is malleable, ready to remember my touch and be shaped into whatever I suggest.  When the clay is alive.

Thus I make and make and make.  I will be always having clearance sales to have room for more.

Play is its own reward.  How often have I heard that?

10/31/2012

The Fabric of the Past: Thomas Kay Woolen Mill


The Willamette Heritage Center in Salem has early settlement homes  and the Thomas Kay Woolen Mill, which you can walk through.  The mill was founded in 1889 by Thomas Kay and produced fine woolen blankets and fabrics.  It was managed by four generations of the Kay family and operated continuously until 1962.  It is the only woolen mill museum in the western United States and has a water powered turbine capable of generating electricity from the millrace.

The mill is clean, quiet.  The 19th and early 20th Century equipment still in working order.  The wooden carts and tools stand ready, as if they had been stopped because of a lunch break that was almost over.  There is a museum attendant, in period costume who will turn on the weaving machine and bring it to life.

There are large wheels and wide belts slowly moving through out the mill.  The water power still providing the energy to turn raw fleeces into fine wool fabric.

Walking down the long open work spaces of the mill is a walk back into our industrial heritage.  You can almost hear the machines pull, twist or ply the wool into shape.  The floor shows the memory of all the water used.  Through the light from tall round topped windows you can image the floating dust.

The 2nd floor of the mill shows the process from fleece to carding to spinning to weaving.  The ground floor shows the process of turning the first woven fabric into finished blankets and fine cloth.  And as you stroll, there are wheels slowly turning and belts silently moving ready have a gear lowered to once again engage them in the making of real, useful, necessary products.

It is good to look at what we made and how we made it and to reflect on what we are making these days.

10/28/2012

The traditional costumes gives an insight to culture

The Willamette Heritage Center at the Mill in Salem is an amazing fabric museum with events, programs and exhibits.  We visited their current exhibit The Art And Tradition of Kimono which began September 21st and will be available until December 24th.

The Kimono is the national costume of Japan.  The exhibit features kimonos created during the early 20th century.  The geometric simplicity of the silk fabric's cut contrasts with the elegant floral designs or regular bright patterns.  The kimono seems to reflect the Japanese culture which values simple form intertwined with equally simple but dramatic designs.

Liz looking at Kimono underware
In a calm, quiet space the exhibit has several kimonos and pictures and information about how they were created.  We had the kimonos to ourselves to study and admire at our leisure.  There is a nice slide show of the kimono exhibit at the Heritage website.  But nothing like seeing the kimonos' vibrancy in person.

The Art and Tradition of Kimono exhibit is housed on the second floor of the Thomas Kay Woolen Mill.  The Mill is close to a living museum, where you can walk among the machinery which skill works.  On the second floor landing the Mill is evident through windows.  Behind a discrete door the kimonos wait, floating on their stands, emblems of another time another culture.  Stepping into the exhibit from the big 19th century American style woolen mill is also an interesting contrast of cultures.

10/25/2012

Donate to what is important to you

The annual gathering/auction/fundraiser of the Yamhill Watershed Stewardship Fund is Saturday November 10th.  It is an annual auction event, like so, so many other local groups who work on the needs of our community.  A long time member of the Stewardship Board Dave Hansen and a fellow artist on the Art Harvest Studio Tour sent out a poster for the Watersheds fundraiser.

In the past Dave has asked for donations and we have been happy to donate. Water and its watersheds is important to us.  This year before Dave could ask we asked him if he was collecting for the fundraiser.  He is.

Salter
I went into the studio looking for donations.  Who wanted to go help the Watersheds Fund?

Salter has been with me for a while and it was time to go out into the world and do some good.

To me Salter is a catlike creature who is patient and watchful.  A potential being of the watersheds.

Lock Nar
The studio is just recovering from the Art Harvest Tour and everything seems to have moved.    I looked for a companion for Salter.  Lock Nar has changed from a mild mannered uncle to a fierce guardian.  Paying attention.  Not to be messed with.  The Watersheds need to be paid attention to and they need to be guarded.

Hopefully Lock Nar will go home with someone on the evening of November 10th to hang at a special place and remind them that Watersheds are important.

10/18/2012

Reviewing Grant Applications for Yamhill County Culture

Eve and Caryl reviewing grant applications
The grant cycle is upon us.  The Yamhill County Cultural Coalition grant committee met yesterday to review the applications for the coming year.

The Grant Committee, Eve Silverman, Caryl McIver, Deb Broocks and James Nelson and myself looked at projects primarily based in McMinnville and Newberg.  Although James was not at the committee meeting, he sent his comments in.  The projects ranged from writing, to music events, to art programs for seniors, to sign/music event for disabled, to programs for ethic groups, to historical excursions and more.

Eve Silverman, who is co-chair of the Grants Committee developed a very helpful spreadsheet of the applications, which made our work easier.

There never is enough money from the Oregon Cultural Trust to satisfy all of the needs.   The committee would love to recommend that Yamhill County Cultural Coalition board give everyone all of the money they asked for.  The Committee did its best to adjust grant recommendations to fit within the allocation that was given by the Cultural Trust, which was about $12,800.00 for 2013.

The Yamhill County Cultural Coalition Board will meet next week, Wednesday the 24th.  The Committee will give its recommendations.  The Board will discuss the grant applications and make its allocation decisions. The Grant funding announcements will likely go out to applicants in November.

I have been on the Yamhill County Cultural Coalition's Grant Committee for 4 or 5 years.  It is a wonderful experience to see the creative projects and to know that because of the generosity and the desire of Oregonians to have a vibrant cultural life, we can help culture here in Yamhill County.

10/10/2012

Arts Alive appearance talking about Pottery

On October 18th we went down to the McMinnville Community Media studio to appear on Arts Alive the local arts and culture show.  Liz talked with host Lynda Phillippi first.  I posted the video of her.  I forgot to post my interview.

We talked about clay and pottery and the Art Harvest Studio Tour, of course.  The Tour was last weekend and the second weekend is coming up.

We had students on the Student/Education Studio Tour today.  They all seemed to come at once.  It was kind of frantic for awhile.  Still fun.

10/09/2012

Art Harvest Student Education Studio Tour

Liz Santone demos felt making at her studio
The Art Harvest Studio Tour is on its 20th year.  For several years some of the Tour artists host an Art Harvest Student Education Studio Tour during the week between the regular weekend public Tour.

Today Liz and I hosted students from the Yamhill Carlton area.

Making a mask
Show youth how to make something from a fluff of wool or a lump of clay is a pleasure.

Making felt 




Some Tour artists across Yamhill County are opening their studios this Tuesday, Wednesday and/or Thursday to demonstrate or talk about the art that they do.

Those who visit Liz get an extra surprise.  They get to have a hands-on experience of making felt and taking it home with them.

Because of the nature of clay, the students get to touch the clay and watch as I have all of the fun.  There is a magic in sharing a craft skill and the excitement of creating with young hearts.

9/22/2012

Elizabeth Santone on Arts Alive

Elizabeth's segment of Arts Alive will show the week of September 22nd through 28th.  The schedule is on McMinnville Community Media  Liz talked with Lynda Phillippi about felting, painting and the Arts Alliance of Yamhill County's annual Art Harvest Studio Tour .

This was the first time Elizabeth has been on the Arts Alive show to talk about her felting and painting.

9/14/2012

Painting with Fire

Nike of Samothrace

This summer I worked with artist Dwight Evalt on a video to show one of his painting techniques which uses fire. The beginning of the painting Nike of Samothrace.  It came together and a young local musician Treven Hughes' music fits the action.  The music was recorded last year at McMinnville Community Media studio.

Dwight and I are almost neighbors.  Dwight lives in Carlton Oregon.  His website is dwightevaltart.weebly.com

Liz and I and Dwight were on this year's Art Harvest Studio Tour  A program of the Arts Alliance of Yamhill County which has been sponsoring the Tour for 20 years.  The 2012 Tour was Friday Oct 5, 6, 7 and the second weekend Oct 12, 13 and 14.   With a Student Education Tour during the week between.

It was a pretty good Tour.  I don't think Dwight demonstrated painting with fire.  You can see here.


8/10/2012

Copyright permission for Non-Commercial One Poem A Day

Indie Filmmaker’s journal: Part Four.  

Copyright investigations include looking at the work for copyright notice, author, publisher, place and date of publication, directly searching the copyright office and other records or pay to have the copyright office do a search.  Well that is the start, but Copyright circular 22 says “the results may not be conclusive.”  They go on to say “In many cases, it is important to consult with a copyright attorney before reaching any conclusions regarding the copyright status of a work.” 

Okay.  I get the picture.  I need to assume there is a copyright owner and I need to find out who that is and ask them for permission.  I can’t afford an attorney who is going to charge me more per hour that earn in a week.  I am trying to increase the cultural destiny of my community and my world by putting work on public access TV and on my Youtube site.   I have to get the permissions myself.

8/01/2012

Copyright Permission and Fair Use

Indie Filmmaker’s journal: Part Three.  

As we learned more about copyrights and trademarks.  We looked around as we filmed, doh, almost every thing is property owned and controlled.  Making a copy of it, even not intentionally copying it could be copyright infringement.  What about Fair Use?

“We’re almost ready to do the interview.  Sound check good.  Could you turn off your CD player.”
“Why. Can’t you hear me?”
“Hear you fine.  You are playing Zappa’s “Apostrophe” album.  If we tape his doing “Stink Foot” as background to your interview, we could have a copyright problem.”
“Oh, Okay.  Stink Foot is Zappa’s best.”
“Yeah I know. One more thing.  Could you move to your right a couple of steps.  We need to get the “Big Lebowski” movie poster out of the frame.”
“Okay, moving to the right.” 

Fair Use is an important limit on copyright owner’s rights.  Deciding if  a copyright protected work is fair to copy or film is more artful than a science.  No clear and agreed upon guidelines.  There are four factors to consider. 

7/30/2012

Copyright Permission and Releases

Indie Filmmaker’s journal: Part Two.  

“I look like a raccoon.” He said. “A bald raccoon.  And the music is not me.  Not me, doesn’t fit with my work. Change it.” He was not happy with our little masterpiece.

“Music, good music, free music is kind of hard to find.”  I said. “We can leave the music out, no problem.  But the raccoon thing is about the lighting at your house.  Not much we can do about that, now.”  I didn’t tell him it was also a function of our ignorance of proper lighting.  I felt bad.  He was a professional artist, we were amateur videographers.

We were learning, still finding out about how to do interviews of artists for informational features for our local community access cable TV station, which covers a small rural county.  I see it as a kind of journalism.  The Stanford University website mentions that many journalists do not obtain a signed interview release on the assumption that giving the interview was consent.  The US Copyright Office and the University of California  site are helpful in understanding permissions and releases.  Releases can help avoid legal actions for libel, invasion of privacy or copyright infringement (interviewee’s words can be copyrightable). 

7/29/2012

Obtaining Copyright Permissions

Indie Filmmaker's Journal: Part One

“If someone uses my images without my permission, I will own their home.”  She said it with a smile in a small voice, soft and smooth.  It was in her eyes and her smile, she meant what she said.  She told us a story of finding one of her works being sold on the internet without her permission.  She told us about registering copyright.  We were interviewing her for an artist profile of her to put on our local public access cable TV station. We knew we had her permission, we were doing a 30 minute video profile of her as a completely non-commercial gift to her and to our community.  Video is our hobby, we want to increase the cultural density of our community, we did not want to become homeless from our good intentions.

In almost all cases creating videos is a composite craft.   In making documentaries, in making fictional movies and in filming performances using the work, the property, of others is necessary.   There is nothing like the desire to follow the rules and also a good dose of fear of losing your home to stimulate the search for knowledge.

7/22/2012

Summer Vacation

Liz at the Beach, we were looking at tidepools
What is summer vacation for?  Although back a few days I’ve been struggling to maintaining my vacation mindset, sleeping in, taking long walks, staying unplugged, reading a novel a day, enjoying the moment, letting the “to do” rest, and trying to establish new routines. 

What I’ve found is sleeping in is easy, but conflicts with trying to establish new routines, like getting up early to see the sun rise.  The long walks are fun, relaxing, fit with enjoying the moment and good exercise.  Submerging into a novel of an afternoon is an exercise of the mind and a nice workout for the imagination.  Letting the old “to do” list languish is one of the enjoyable fundamentals of maintaining a vacation mindset.  The dilemma springs from setting up new routines, which sprout new “to do” lists, which stand on the sagging shoulders of the waiting old “to do” lists.  

Not surprising, staying unplugged is the hardest.  I’m in the “geezer” age group born in the time of radio and black and white movies.  Now the world for me is almost completely connected by technology.  Computers and the internet are plugged in daily life in how I communicate, in how I entertain myself and others, in how I learn.  Unplugged means being absent.  The screen flicker, the din and the rumble of the world is quieted.  Solitude accepted, solitude savored, an essence of the vacation mindset.  But the pull to reconnect is strong, a riptide sucking me back to the cyber sea.

5/26/2012

Phoebe Newman, Three Poems from Ruby

Phoebe Newman
The poet Phoebe Newman reads three pomes from her book "Ruby".   These three poems were written when Phoebe lived in New Mexico.  In these pomes she gives voice to three rural women. There is abuse, there is endurance, there is a justice in first poem "Solidade".  There is the selective loss of memory from aging, the loss if independence of the old and there is dignity in the poem "Terraphellia".  The last poem she read is "Ruby" who calls her alter ego or her evil twin, there is the cattiness of a gossip with a begrudging admiration.

Phoebe Newman mixes humor, pathos, observation so clear it can be touched, into voices who speak a truth to themselves and to the rest of us.


Phoebe Newman read from four of her books in April in McMinnville.  Meadowlake Studios filmed her reading and put together a 45 minute show that aired on  McMinnville Community Media in the spring.



5/23/2012

Phoebe Newman Four Poems

Phoebe Newman has published four books of Poetry, Ruby, Sugar, Here To Stay and her most recent This Is For You.  She read selected poems in McMinnville, Oregon on April 30, 2012.  The entire show is playing this week on McMinnville Comunity Media Comcast 11 or Frontier 29

Phoebe began a nationally recognized annual radio program called One Poem a Day Won't Kill You, on KRDB that invites people to read a favorite poem or one they have written on the radio during the month of April which is national Poetry Month.   Phoebe produced the program for 10 years until moving from Ketchikan, Alaska to McMinnville, Oregon.  The poetry program continues and during the month of April, 2012, KRDB aired a poem a day for all 30 days.  


Here are four poems Phoebe reading in McMinnville April 30th, "Beautiful Sara Lee", "The Fall", "Sciatica" and "When Bitten By The Crocodile"








5/14/2012

Haiku Poetry, Paper Gardens 2012

 Haiku is one of the categories for the Paper Gardens Literary Contest every year.  This year Ann Patton, Margaret Halstead, Emily Cinnamon, Pruette Karl, Kyra Ellen Sieber and David Hallett read their winning Haiku entries.


We filmed the full Paper Gardens Event and the 45 minute TV show "Meadowlake Studios Encounter: Paper Gardens 2012" will began to air on Comcast Channel 11 and Frontier 29 beginning Saturday 5/12.   The schedule from McMinnville Community Media is
Tuesday,
05-15-2012
5:00 PM
Meadowlake Studios Encounter: Paper Gardens
Thursday, 05-17-2012
9:00 PM
Meadowlake Studios Encounter: Paper Gardens
Friday, 05-18-2012
5:00 PM
Meadowlake Studios Encounter: Paper Gardens

5/11/2012

Paper Gardens 2012 Free Verse Poetry

Paper Gardens Literary Contest for sponsored by Arts Alliance of Yamhill County publishes a Chapbook of the winning entries in the Adult, Youth and Children groups.  Free Verse Poetry one of the long standing poetry categories.  This year's winners who read their work at the April 13th Awards event at the McMinnville Community Media were  “Undone” by Julie Stubblefield, “My Surgeon” by Jen Jo,  “Lullaby” by Susan Easterly, “Sideways” by Bethan Bonebrake and “Quiet” by Hannah Siepmann.

We filmed the full Paper Gardens Event and the 45 minute TV show "Meadowlake Studios Encounter: Paper Gardens 2012" will begin to air on Comcast Channel 11 and Frontier 29 beginning Saturday 5/12.  Check McMinnville Community Media for the schedule.  The show should run multiple times during the week.

We put the segment on the Free Verse Poetry readings on YouTube.  

For a copy of the Paper Gardens 2012 Chapbook go to Arts Alliance of Yamhill County website.  I do not think you can buy them directly from the site.  They do have Chapbooks available.  Contact them and they will be happy to get you a Chapbook.

5/09/2012

Paper Gardens Judge Charles Goodrich reads

Paper Gardens 2012 Literary Contest for Adult, Youth and Children writers is sponsored by Arts Alliance of Yamhill County.  The 19th Paper Gardens celebration was held on April 13th at the McMinnville Community Center.  Contest Chair-person was Kelli Grinich and Judge was Charles Goodrich.

We filmed the event and finally edited it into a 45 minute for TV show.  We delivered Meadowlake Studios Encounter: Paper Gardens 2012 to McMinnville Community Media yesterday.  MCM starts a new weekly schedule on Saturdays.  Our Meadowlake Encounter with Paper Gardens will likely begin on Comcast Channel 11 and Frontier 29 on Saturday the 12th.  It is all there.  Kelli Grinich's introduction, Charles Goodrich's encouragement, his reading of some of his poems and the Adult, Youth and Children categories in Free Verse, Traditional Poetry, Haiku, Poetry of Place and Prose who chose to read their work.

As the evening was wrapping up Charles handed me a copy of his newest book of poems Going to Seed: Dispatches from the Garden.  The poems follow the seasons from Summer, Fall, Winter, Spring and to Summer again.  His voice has an elegant calm, his eye able to see the finest detail of ordinary and not so ordinary things and his humor and humanity are reflected without trying.

Once the TV show is edited it is not much more to edit segments to fit YouTube's limit of 15 minutes or less. 


I liked the "Bubble Bee" poem.  The day before yesterday I watch a bubble bee struggling to work on a tiny blue rosemary flower.  Charles poem is perfect.

4/18/2012

Paper Garden Literary Contest Winners Celebration


As the Meadowlake Studios’ camera panned the smiling faces and nervous laughter filled the McMinnville Community Center for the 2012 Paper Gardens Literary Contest award celebration.  For 19 years the Arts Alliance of Yamhill County  has sponsored the County wide creative writing contest for ages 6 and up, children, youth and adult in categories of prose and poetry.  This year there were 300 submissions.

Poet, gardener and essayist Charles Goodrich was the judge for Paper Gardens.   Goodrich is the director of the Spring Creek Project for Ideas, Nature, and the Written Word at Oregon State University.  His newest collection of work may be found in his book "Going To Seed"  Dispatches from the Garden” (Silverfish Review Press, 2010).

The celebration was a chance for community members to talk with contest judge Charles Goodrich and meet other writers.  The highlight of Friday evening was hearing almost all of the 2012 winners read their work.

This year’s Chapbooks is dedicated to Ken Myers.  Since 1993 Ken Myers had been involved with the layout and production the Paper Gardens chapbooks.  His dedication and long support is one of the reasons Yamhill County writers have been published by Paper Gardens.  Rachel Burchard, founder of the contest would be proud to know Ken Myers still the literary touch.  The Chapbook cover art is by local paper cut artist Cindy Stinson-Chennell.    Chapbooks are available for sale by contacting the Arts Alliance of Yamhill County

Look for Meadowlake Studios Encounters: Paper Gardens 2012 on McMinnville Community Media MeMinnville Community Media.

2012 Winning Entries
Adult Prose
1st Place: “Lesser God” by Dennis Bershaw
2nd Place: “Joys of a Mailbox” by Larry Kurtz
3rd Place: “Runaway” by Loren Willbur

Adult Traditional Poetry
1st Place: “As It Should Be” by Mike Paull
2nd Place: “A Step” by Melissa K. Terrill
Adult Free Verse Poetry
1st Place: “Undone” by Julie Stubblefield
2nd Place: “My Surgeon” by Jen Jo
3rd Place: “Lullaby” by Susan Easterly

Adult Haiku
1st Place: “Small Steps” by David Hallett
2nd Place: “Spring” by Ann E. Patton
3rd Place: “Hovering Over Mt. Shasta” by Brenda Huante

Adult Poetry of Place
1st Place: “Tyler, Age 2, Picks Blackberries” by Fran Hunter

Youth Prose
1st Place: “The Patient” by Erica Keaveney
2nd Place: “The Old Lafayette Estate” by Kristi Thompson

Youth Free Verse Poetry
1st Place: “Sideways” by Bethan Bonebrake
2nd Place: “Short Answer Questions and First Lines” by Natasha Balwit

Youth Haiku
1st Place: “Creative Juices” by Margaret Halstead

Children Prose
1st Place: “The Wreck of the SS Star Liner” by Kiran Sawhney
2nd Place: “Video Adventure” by Lakshmi Austen Sawhney

Children Free Verse Poetry
1st Place: “Quiet” by Hannah Siepmann
2nd Place: “The Ocean” by Tatum Frey
3rd Place: “Orchestra Sparks” by Sara Lin Asada

Children Haiku
1st Place: “Snowball” by Emily Cinnamon
2nd Place: “Fire” by Pruette Karl
3rd Place: “Rain” by Kyra Ellen Sieber

Children Poetry of Place
1st Place: “Our Library” by Juan Hernandez

4/07/2012

Increasing the Literary Density of Yamhill County

Barbara Drake was excited about the Terroir Creative Writing Festiva   coming up next Saturday. April 14th at the McMinnville Community Center.  I talked with her this morning at McMinnville Public Market.  She was staffing the Arts Alliance of Yamhill County booth. 

Barbara Drake is the guiding spirit of the Terroir. Writing Festival  It was November of 2008 or 2009, when she, then President of  Arts Alliance, stood before a large Arts Alliance membership gathering and asked for help in realizing her dream of a creative writing festival. 

“What we want to do.”  she said. “We want to increase the literary density in Yamhill County.”   

Barbara has done just that.  The first Terroir Creative Writing Festival in 2010 was a huge success.   The well known Portland writer Ursula LeGuin was a speaker and there were writing workshops by well known Northwest writers.   Terroir 2011 was also successful.  Author of the Earth’s Children’s series Jean Auel  was a speaker and again there were excellent writing workshops by Northwest writers.

This year’s Creative Writing Festival is shaping up to be as good or better than previous years.  The line up of Northwest writers speaking,  writing workshops and readings is impressive.

The musician and writer who opened the recent Oregon Book Awards presentation, Willy Vlautin will talk about finding inspiration in Oregon.  Portland suspense writer, author of “Kill you Twice”, Chelsea Cain will give a work shop on writing a best selling thriller.  There is a Poetry workshop by gardner and poet Charles Goodrich whose new book is ‘Going to Seed: Dispatches from the Garden” and who is the judge for the Arts Alliance’s annual  Paper Gardens Writing Contest .

One of my favorite Northwest writers Matt Love will be doing a work shop on writing creative non-fiction.  Leanne Grabel will have a work shop on writing and producing your own play.   Those who are thinking about a memoir, Evelyn Hess  will give a work shop on writing memoirs. 

There will be readings by novelists and poets.   The poetry journal of place Windfall Journal  editors and authors Bill Siverly and Michael McDowell will read and many other local poets.   There will be an opportunity for writers take a risk and to stand up at an “open mic” and read their work to an appreciative audience.

For those who love the feel and touch of the old fashioned book, you are not forgotten, the founder of Book Arts Center of McMinnville Marilyn Worrix will have a work shop on the handmade book.

If you are a writer the  Terroir Creative Writing Festivalwill give you access to some very good Northwest writers from varied disciplines.  In the workshops you pick up tips to help you improve your craft.  The entire event will introduce you to other local writers.   The registration form is on the website and you can register Saturday morning, April 14th at the Community Center.

As Barbara said. “What we want to do is increase the literary density of Yamhill County.”


3/26/2012

Terroir Creative Writing Festival April 14, 2012

Three weeks until the Terrior Creative Writing Festival opens Saturday April 14 at the McMinnville Community Center.  Registration is at 8 am, talks, workshops and readings begin at 9 am and go until 4:30.

Barbara Drake, poet, teacher and co-founder of the Terroir Creative Writing Festival  and indicated she was coordinating the program for the Festival.  There is an impressive program of authors, Chelsea Cain , LEANNE GRABEL , WILLY VLAUTIN ,  MATT LOVE , CHARLES GOODRICH , and EVELYN HESS and many others.

Willy Vlautin will talk about finding inspiration in Oregon.  Matt Love will discuss creative non-fiction and Leanne Grabel will have a workshop on writing and producing your own play.

A chance to meet writers, talk writing and books and listen to writers reading their work.

3/17/2012

Elizabeth Santone, Featured artist at Meet the Artist at Portland Art Museum Rental Sales Gallery


Final adjustments
Elizabeth Santone was one of the featured artists at the Portland Art Museum's Rental Sales Gallery Meet the Artist event on Saturday, February 25th.  She talks about her paintings and her inspiration.


Director for the Portland Art Museum’s Rental Sales Gallery, Jennifer Zika is a wonderful host and although our filming with a big tripod was an slight obstacle in the Gallery’s limited space, she made us feel welcome.


In 1959 the Women’s Council of the Portland Art Museum appointed a Gallery Board which opened the Museum’s Rental Sales Gallery staffed by volunteers.  The Gallery’s mission is to promote the arts in Oregon, to provide a showcase for Oregon artists, and to increase public awareness of the Art community.  Gallery commissions proved revenue for the Museum and help support the Artists.  


According to The Oregon Encyclopedia membership in the Portland Art Museum is a prerequisite for renting artwork from Rental Sales Gallery.  Artworks is consighnment, price set by the artist and rental fees are on a sliding scale.  The Gallery host three artist shows a per year, in April, June and October.  Currently more than 250 artists from Oregon and Southwest Washington are represented.  All work is original and juried.  There are 600 art works in the Gallery at any one time and over 2000 works all together.  Art mediums include; oil, acrylic and watercolor paintings; wood, metal and stone sculpture; drawings; collages; photography; and framed prints.

Monthly Meet the Artists events began in the Fall of 2010.  Each month on the last Saturday the Gallery provides an opportunity to get to know 4 or 5 artists represented by the Rental Sales Gallery.  There is the chance to look around the Gallery, enjoy a nibble, a sip of wine and listen to featured artists talk about their work.

In addition to Elizabeth we filmed the presentations of Ok Ji Radda and Janet Lauvau Holt.
 
 
Ok Ji Radda
                                          

 
Janet Holt

3/10/2012

Metaphor for creativity: There are no mistakes on the bandstand

 The TED talk by jazz musician Stefon Harris There are no mistakes on the Bandstand demonstrated how a "mistake" like an out of key note, was an opportunity if the other players who where listening and responded to what they heard.  Harris talked about the Bandstand as a special place, a place without past and without future.  The bandstand is a place of the complete present.  Musicians in the present and responding to one another in a natural way results in opportunities for creativity.  Harris and the 3 players with him showed how it worked when they let a note by one lead toward a new directions.

No mistakes on the bandstand is a natural metaphor for creativity in almost any creative endeavor.   Bandstand is the creative moment.  The here, the now.  With the understanding or assumption there needs to be a excellent level of craft, there are no mistakes, just a deviation from an expectation and an opportunity for a new and creative direction.  Harris did not talk about level of craft, he assumed a high level.

As metaphor bandstand to have no mistakes is to be open to change, be ready to adjust and avoid being judgmental, especially on the bandstand at the time of creating the art.

3/08/2012

Curiousity and Danger, Connections at my fingertips

I love this time we live in.  Connections at my fingertips.  On Facebook I "like" Prairie Schooner the literary magazine.  Their page sends out a "share" to FilmMaker Magazine  with an article Ten Lessons on Filmmaking from Director Marjane Satrapi.

Filming Meet the Artist
Our recent video project is the Meeting the Artist Event at the Portland Art Museum Rental Sales Gallery we filmed February 25th.  So film making is on my mind.  Not at the level of Satrapi's "Persepolis".

Of Marjane Satrapi's list of ten lessons I like 1. Learn to tell your story, 2. Create Don't Produce, 4. the best films come from the best collaborations, 5. Don't waste your time on Divas, 6. Try Dallas (she means go to places where not everyone agrees with you), 7 Suffering is optional, 8. Shoot for beauty, 10. Remember Humor.

How easy it is to learn things these days.  Curiosity can also be dangerous.  Access from afar is very possible and real.

Earlier today I watched a TED talk All Your Devices can be Hacked  by Avi Rubin.  He presented a horrifying list of devices that can be hacked and controlled.  Pace Makers, Cars, phones, two way radios, and stealing key strokes from your computer.  Access is not easy, it takes knowledge, some very esoteric knowledge, but access can be achieved.  Some of the methods are beyond me.   In Rubin's talk there were seeds to several 21st century spy stories and some pretty good mystery stories.

Those who say privacy is dead, get over it.  Yep.  I hear you.

3/04/2012

Jim Gullo: "Trading Manny" Father Son Baseball journey

I had forgotten about Dizzy Trout.

Last week Jim Gullo and his son Joe came to the McMinnville Community Media studio to do an Arts Alive interview with Lynda Phillippi.   Jim wanted to talk about his forth coming book "Trading Manny" , the story of a Father teaching his son Joe to love Baseball during the steroid scandals which made respecting baseball very difficult.

I was never a big baseball fan.  Although I remember the summer of 1953 or 54 I searched the neighborhood, the school, the city for a card on mostly Detroit Tigers and then Boston Red Sox pitcher Dizzy Trout.  He wasn’t that great pitcher and he was a bit long in the tooth, but  I loved his name and he wore glasses, so I could relate.  I had rookies Jim Gilliam, Harvey Haddix and Ray Jablonski to trade,  I was even willing to throw in 10 rare red cat’s-eye marbles.  I never found Dizzy’s card.  I read that year “Disappointment  is necessary to develop character”, I wasn’t convinced.  In 1955, the World Series went to the Brooklyn Dodgers over the New York Yankees, and my interest in baseball fanned out. 

By 2006 when Lance Williams and Mar Fainaru-Wada book  "Game of Shadows" came out, followed in 2007 by the "Mitchell Report", it was not a shock or even a surprise that baseball players were abusing steroid drugs to get a competitive edge.   Only 89 players?

It turns out I was not the only one who thought 89 might be a low ball number.   In 2007 Jim Gullo/s his seven year old son Joe, whose baseball hero was Manny Ramirez, was asking,      Page 20 of "Trading Manny"   “Look Dad,” he said, waving a card of a player who had not been named by Mitchell or associated with drug use.  “This guy hit forty-eight homers in 2001 and hasn’t hit more than twenty-one since.  He was probably using drugs, wasn’t he?”

To redeem his own love of baseball and to be true and honest to Joe in a time when baseball was down, Jim Gullo and his son went on a quest to find the truth about steroid use and to seek the soul of baseball.  “Trading Manny” is the story of their journey.

On the same day as the Arts Alive interview Jim posted on his BLOG an instructive chronology of “Trading Manny” from the inception of the idea to the publishing of the book.  If you have a book idea and are getting ready to get to the writing, check out the blog post.

On Febrary 28th, Jim and Joe Gullo talk with Arts Alive host Lynda Phillippi about their journey and the writing of the book.    You Tube has a 15 minute limit.  The 30 minute show is the above is Part One and go to Part Two to see the last half of the show.


Jim Gullo lives in McMinnville.  In addition to the forthcoming "Trading Manny" he has a recent novel  "Fountain of Youth".  He is the editor and publisher of a web magazine http://www.oregonwine.com covering Oregon wine industry.

2/29/2012

Public Library a cradle of democracy

The Carnegie  McMinnville Public Library is 100 years old.  Andrew Carnegie funded the library built in 1912.

 Carnegie  said  “There is not such a cradle of democracy upon the earth as the Free Public Library, this republic of letters, where neither rank, office, nor wealth receives the slightest consideration.”

He believed in Libraries  “A library outranks any other one thing a community can do to benefit its people. It is a never failing spring in the desert.”.  


The benefits a Public Library for Democracy and for Community are still very true today.

Jill Poyer, Director of McMinnville Public Library and Bernice Owen, author of “History of the McMinnville Public Library” talk with Arts Alive host Lynda Phillippi at McMinnville Community Media studio.   Ms Owen explains the fascinating history the McMinnville Library.    Ms Poyer talks about the extensive programs the Library offers, which would, I’m sure, make Mr Carnegie nod his head in agreement and smile.  McMinnville Public Library is doing for Democracy and for Community just as Andrew said it would.                   

To watch Arts Alive McMinnville Public Library Part Two                                          

2/28/2012

House/studio: creative space matters

First draft of studio
I've been thinking about literature, websites, literary magazines and such.  But we have also working on glazing and firing tiles for the Cedarwood house.  We hired an Designer to work with us to build our new studio space.

He sent pdf file of his ideas and we have been working over them.   Changing and talking.  The creative process.  We think about what we want.  It is so much easier to do if there is a visual aide to work with.

Where we create matters.  At Awaken Creativity they talk about creative space that honors you and is dedicated to what you do.  We talked about entrances and realized we did not mind walking into our creating space.  We did no want to come in and stare at several doors.   The Awaken Creativity article is a simplistic.  A new space is a new place and just how it will interact with creative work is unknown.  We have to hope it will work out.

2/27/2012

Find purpose and do what you love

Maria Popova at Brain Pickings curates a wonderful blog.  Today she put together an article on "How to Find Your Purpose and Do What You Love" by curating the thoughts of seven who have talked about it.  She gives pithy quotes and gives links to the source, essays, videos, whatever.  There is a reason Technorati gives Brain Pickings a score of 726 which is a very high ranking.  Quality and quantity. 
Literary Wolf

She starts with quotes of Paul Graham from his essay How to Do What You Love written in 2006.  Still makes sense.  He starts "Do do something well you have to like it."  Maria is taken by Paul's opinion about prestige. 

The quote I like is "Prestige is especially dangerous to the ambitious. If you want to make ambitious people waste their time on errands, the way to do it is to bait the hook with prestige. That's the recipe for getting people to give talks, write forewords, serve on committees, be department heads, and so on. It might be a good rule simply to avoid any prestigious task. If it didn't suck, they wouldn't have had to make it prestigious."  


Paul says you should not worry about prestige and admits it is easy advice to give but hard to follow especially for the young and/or ambitious. 

2/26/2012

Literature, poems and the reader

patient vagabond
Reading an online literary magazine Prime Number Magazine which has a nice combination of features.  Most literary magazines have the work and a writer's bio.  Interviews of writers are often a special thing.   What I like about Prime Number is they put the work, the bio and an interview with the writer all together.   Prime Number is a North Carolina magazine, online and an annual print. 

For example with the poetry of Kat Henry there follows her bio and then an interview with her.   As a reader I liked reading the poem and then listening to the interview answers that gave Kat's poem "Vagrants, after A.M. Parker" a context from the writer.  In Kat's bio she tells of reading the "vagrants" poem at an open mic in a bar and also reading it to a homeless man who told her he could relate to the poem. 

Another poet  Katherine E Young writes searing poems of physical and emotional abuse.  She teaches English at University level, published in journals and translated from Russian.  The interview helps to understand the perspective of the poems.

Reading the poem is good and the main thing.  Having detail and context also helps me see the poem.




2/25/2012

Elizabeth Santone, a successful feature artist presentation

Timothy Field
Today at the Portland Art Museum Rental Sales Gallery Elizabeth Santone talked about her narrative watercolor paintings and her landscape painting.

As Elizabeth was concluding a gentleman in the back of the room told a story of two young skate boarders who were in an intense discussion just out side the Gallery.  They were in a passionate debate about Elizabeth Santone's painting of a tree that was in the window of the Gallery

We (Meadowlake Studios) filmed Elizabeth's presentation.  We also filmed OK Ji Radda and Janet Louvau Holt and they discussed their work.

Next comes the work of putting together a watchable video.